Complete Catalogue of Works:
ORCHESTRAL MUSIC
Symphony, op.78 (in progress), for large orchestra
Smith Square Dances, op.64, for chamber orchestra, ca. 8.5’
“…innumerable stars, scattered in clusters," op.39, for orchestra, ca. 10’
Focus, op.34, for orchestra, ca. 10’
The Lone and Level Sands, op.20, for sinfonietta, ca. 5’
Toccata, op.12, for large orchestra, ca. 10’
Chamber Symphony, op.10, for sinfonietta, ca. 10’
PreCambria, op.4, for string orchestra, ca. 9’
ORCHESTRA/ENSEMBLE with SOLOIST
Trees, op.77 (in progress), for soprano solo, choir SATB, & orchestra
Wires & Wood, op.75, a concerto for amplified solo guitar, 2 clarinets, 2 horns, 2 percussion, harpsichord, mandolin, treble viol, tenor viol, bass viol, violin, viola, cello, & bass, ca. 17’
Viola Concerto, op.68, a 4-movement concerto for viola & chamber orchestra, ca. 33’
Persona Mechanica, op.57, a 3-movement concerto for piano & chamber orchestra, ca. 23’
Threshold, op.35, for tenor & sinfonietta, ca. 9’
For a Faded Mind, op.19, a concerto for solo violin & string orchestra, ca. 20’
WIND ENSEMBLE
So Eden Sank To Grief, op.44, for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, & 2 horns , ca. 10’
Through the Veil, op.23, for three amplified sopranos & wind ensemble, ca. 17’
INSTRUMENTAL CHAMBER MUSIC
Violin Concerto, op.79 (In Progress—commissioned by David Bowlin), for solo violin & organ
Rondo alla Quirk, op.76, for two pianos, ca. 8’
Idylls Lost, op.74, for flute, clarinet, percussion, piano, violin, & cello, ca.11’
Hymns & Ditties, op.70, for two violins, ca. 6’
Post-Hymnal, op.61, for mandolin, violin, viola, & cello, ca. 7’
Lulu, op.60, for cello & piano, ca. 5’
Yonder, op.58, for bassoon, violin, viola, cello, & piano, ca. 8’
Scherzo (After Beethoven), op.56, for violin & piano, ca. 7’
Sextet, op.54, for wind quintet & piano, ca. 7’
Diptych, op.53, for flute & harp, ca. 11’
Sonata, op.48, for flute & guitar, ca. 23’
Fuga a 3 Voci, op.47a/b, for flute, english horn (or clarinet), & bassoon, ca. 6’
Four Scenes, op.46, for soprano saxophone & marimba, ca. 10’
In Dulcet Tones, op.41, for violin & piano, ca. 12’
String Quartet No.3, op.40, for string quartet, ca. 35’
ABRAXAS, op.38, for mixed ensmeble, ca. 13’
“…neither am I a bloodless angel," op.36, for cello & piano, ca. 11’
Night Music, op.31, for violin & vibraphone, ca. 5’
Seesaws, op.30, for violin & viola, ca. 4’
NONAME, op.29, for string quartet & gamelan, ca. 6’
Unisono, op.27, for clarinet, violin, & piano, ca. 10’
Postludes, op.22, for piano four hands, ca. 11’
Four Bagatelles, op.21, for piano quintet, ca. 6’
Snippet Variations, op.18, for clarinet, violin, cello, & piano, ca. 8’
String Quartet No.2 “Panache," op.17, for 2 violins, viola, & cello, ca. 10’
Piano Quintet, op.11, for violin, viola, cello, contrabass, & piano, ca. 11'
Danse acrobatique, op.6, for clarinet, violin, & piano, ca. 6’
String Quartet No.1, op.3, for 2 violins, viola, & cello, ca. 17’
Rhapsody, op.1, for flute & piano, ca. 6'
VOCAL CHAMBER MUSIC
Dark Is Yonder Town, op.67, for tenor & guitar, English folk text, ca. 7.5’
I Have Lost You, op.62, for soprano (or tenor) & piano, text in English by Edna St. Vincent Millay, ca. 7'
After the End, op.59, for soprano, piano, & vibraphone, text in English by Jonathan Brent Butler, ca. 8'
The Mystery Which Binds Me Still, op.51, for soprano & guitar w/electronics, text in English by Edgar Allen Poe, ca. 15’.
One Bright Morning, op.49, for soprano & mixed ensemble, anonymous text, ca. 9'
Threshold, op.35, for tenor & sinfonietta, text in English by Tagore, ca. 9'
Margaret, op.28, for soprano & piano, text in English by Hopkins, ca. 5’
Harmonies poétiques et religieuses, op.24, for mezzo-soprano & mixed ensemble, French texts by Alphonse De Lamartine, ca. 22’.
Los niños, op.9, for mezzo-soprano & guitar, texts in Spanish by Lorca, ca. 23’
SOLO MUSIC
Prelude, op.73, for solo viola, ca.3’
Hark! (25 Variations on Our Lovely Deseret), op.72, for solo piano, ca.13’
Tentava, op.71, for solo piano, ca. 6’
Amorphia, op.69, for solo viola, ca. 7’
Variations on Oklahoma Rooster, op.65, for solo piano, ca. 26’
Reverie (In Memory of Steven Stucky), op.63, for solo piano, ca. 2’
Through tremulous haze . . ., op.53, for solo mandolin, ca. 6’
Languido, op.52, for solo guitar, ca. 5’
Waltz, op.45, for solo piano, ca. 4.5’
Ephemera, op.43, for solo piano, ca. 11’
Leda Monologue, op.42, for solo alto saxophone, ca. 8’
Ricordanza, op.37, for solo guitar, ca. 11’
Nocturne, op.16, for solo piano, ca. 10’
Phantasma, op.8, for solo cello, ca. 8’
Variations on Drowsy Maggie, op.2, for solo piano, ca. 6’
CHORAL MUSIC
Gods, op.33, for men’s chorus TTTTBBBB, text by Walt Whitman, ca.8’
Sing No Songs For Me, op.32, for choir SATB, text by Christina Rossetti, ca.6’
Utterances, op.25, for choir SSA, various found and fabricated texts, ca.6’
Molly Bahn, op.15, for choir SATB, composite folk text, ca.7’
Naye-e Sin, op.13, for choir SSAATTBB, text from traditional Navajo chant, ca.6’
Drink Deeply, op.7, for choir SSA or SAT, text author unknown, ca.6’
OPERA
The Raft, op.66, a chamber opera in one act for soprano, tenor, and baritone soloists, and mixed ensemble, libretto by Richard Scott, ca.15'
The Rehearsal, op.50, a chamber opera for three sopranos & ensemble, libretto by Richard Scott, ca.13’
Love Is . . . (WITHDRAWN), a chamber opera in one act, ca.45’
